A new installation by the influential artist İnci Eviner will be presented at the Pavilion of Turkey at the 58th International Art Exhibition, La Biennale di Venezia, to be held between 11 May and 24 November 2019. Curated by Zeynep Öz, the presentation will take place at a dedicated location at the Arsenale.
İnci Eviner’s work usually takes drawing as a starting point and comprises a large body of multi-layered pieces that range from paintings and video to performative and collaborative practices. Eviner explores the formation of subjectivity, and her work touches on the workings of power and the politics of representation, especially with regards to the female body. The complex set of relations that Eviner forms between video technologies and painting tradition proposes a different kind of perception.
She has shown her work in solo and group exhibitions worldwide. She has been invited to participate in numerous biennials including the Sharjah Biennial (2017), Aichi Triennale (2016), Istanbul Biennial (2013 and 2005), Thessaloniki Biennale (2013), Asian Art Biennial (2013), Busan Biennale (2010), Shanghai Biennale (2008) and Venice Biennale (1997). Among the museums where her works have been exhibited are the Drawing Center, the Philadelphia Museum of Art, Thyssen-Bornemisza Art Contemporary, Musée d'Art Moderne de la Ville de Paris, Massachusetts Museum of Contemporary Art, Palais des Beaux-Arts de Lille and Istanbul Modern.
Eviner was a winner of the Sharjah Biennial Prize (2017), and she was an artist-in-residence at Headlands Center for Art (California, 2017), Rauschenberg Foundation (Florida, 2017), SAM Art Projects (Paris, 2010), Musée d’art contemporain du Val-de-Marne (Vitry-sur-Seine, 2009), Cité internationalé des Arts (Paris, 2008) and International Studio & Curatorial Program (New York, 2004-2005).
In accordo fra il M+ Museum e il HKADC (Hong Kong
Arts Development Council) è stata scelta l’artista Shirley Tse per
rappresentare Hong Kong alla prossima Biennale di Venezia .
CS dal sito https://www.westkowloon.hk
The exhibition, Hong Kong’s Collateral Event of the 58th International Art Exhibition – La Biennale di Venezia, will open in Venice on 11 May 2019.
M+, Hong Kong’s new museum of visual culture in the West Kowloon Cultural District, and the Hong Kong Arts Development Council (HKADC) are pleased to announce the selection of Shirley Tse as the featured artist for Hong Kong’s participation in the 58th International Art Exhibition – La Biennale di Venezia. The internationally recognised Hong Kong–born, Los Angeles–based artist will present a new, site-specific body of work in a solo exhibition curated by Christina Li, an independent curator based in Hong Kong and Amsterdam. The exhibition will be submitted as a Collateral Event to the 2019 edition of La Biennale di Venezia, one of the most important forums for contemporary art in the world, and will be held between 11 May and 24 November 2019. The professional and press preview will take place on 8–10 May 2019.
This marks the fourth collaboration between M+ and HKADC for Hong Kong’s participation in La Biennale di Venezia, following the solo presentations of Lee Kit in 2013, Tsang Kin-Wah in 2015, and Samson Young in 2017, all critically acclaimed and enthusiastically received by the public. As was the case with these three exhibitions, M+ and HKADC will ensure that Hong Kong audiences have the opportunity to see the exhibition of Shirley Tse’s work in a new, locally adapted exhibition following the close of the Venice presentation, in spring 2020 at the M+ Pavilion in the West Kowloon Cultural District. Following the precedent of the 2017 edition, in which Hong Kong–based independent curator Ying Kwok curated the exhibition with M+, the 2019 edition will be curated by Li, jointly selected by M+ and HKADC.
Suhanya Raffel, Executive Director of M+, emphasises the importance of the ongoing collaboration between M+ and HKADC for the growth of the international presence of Hong Kong artists and curators: ‘The close working relationship of M+ and HKADC has gone from strength to strength over the past three editions of La Biennale di Venezia, and I am delighted to see our collaboration develop further in this presentation of work by Shirley Tse. Together, M+ and HKADC continue to make important contributions to the global visibility and resonance of Hong Kong artists and curators, and deepen our commitment to the arts in Hong Kong. Moreover, I am particularly pleased with the selection of a female artist to represent Hong Kong in Venice in 2019.’
Winsome Chow, Chief Executive of HKADC, highlights the collaboration between M+ and HKADC in the coming edition of La Biennale di Venezia: ‘HKADC and M+ have built up a solid and trustworthy collaboration over the previous three editions with a committed mission to promoting the excellence of Hong Kong arts internationally. By pulling together our expertise and resources, we are pleased to collaborate with M+ again to participate in La Biennale di Venezia in 2019. We are confident that with homegrown curator Christina Li’s rich curatorial experiences, the presentation of Hong Kong international artist Shirley Tse’s site-specific works will bring a magnificent experience to the audiences.’
The selected artist Shirley Tse expresses her delight with the opportunity to represent Hong Kong in Venice: ‘The announcement couldn’t have come at a better time. I have been developing a new body of work, and La Biennale di Venezia is the most apt platform for it. It is a deep honour to represent Hong Kong, my hometown, and a place that shaped my formative years as an artist. Big thanks to Christina Li for visiting me in my Los Angeles studio on a rare rainy day, and for inviting me. I look forward to collaborating with the curatorial team headed by her to bring our vision to fruition.’
The exhibition marks the fourth collaboration between M+ and HKADC, and the second time a guest curator from Hong Kong is engaged to work with M+. Christina Li, Guest Curator for this edition, underscores the relevance of this collaboration: ‘It is a tremendous honour to be invited to curate Hong Kong’s presentation at La Biennale di Venezia. I’m excited to be able to curate, for the very first time for this platform, a solo exhibition of work by a female artist. I have long been following Shirley Tse’s intricate and daring sculptural practice, as well as her work as a dedicated art educator. This will be the perfect opportunity to showcase the geographical reach of Hong Kong contemporary art beyond the city’s borders to an international audience, and to re-introduce Tse’s work to the Hong Kong public.’
Doryun Chong, Deputy Director and Chief Curator of M+, is Consulting Curator of the exhibition: ‘We are immensely proud of the three successful solo exhibitions of Hong Kong artists in the last three editions of La Biennale di Venezia. In particular, the last, highly acclaimed exhibition in 2017, in which we engaged for the first time a guest curator, Ying Kwok, to work with the selected artist, Samson Young, convinced us that both M+ and our collaboration with HKADC have matured enough to support working with an external curator. Christina Li has amply distinguished herself with a series of intellectually engaging curatorial projects in recent years in Hong Kong and beyond, and she is the obvious choice for the 2019 edition. The choice of Shirley Tse, who is admired for her artistic practice as well as her longstanding educational commitment, signals a further growth in the Hong Kong contemporary art scene, which is already well recognised internationally.’
Shirley Tse’s exhibition curated by Christina Li promises to respond to the unique site condition of the venue of the Hong Kong exhibition, ideally situated in front of the entrance to the Arsenale, one of the two main sites of the international section of La Biennale di Venezia.
M+ and HKADC are planning ambitious pre-opening and post-opening public programmes in Hong Kong, in an effort to connect the selected artist’s and curator’s international experiences and perspectives with the quickly evolving Hong Kong contemporary art scene.
Following the precedents of the previous exhibitions, M+ will form a curatorial team consisting of an assistant curator, a curatorial intern provided by HKADC on an eighteen-month-long internship, and a group of twelve exhibition and technical interns to help stage and facilitate the six-month-long exhibition on-site in Venice, offering unique professional opportunities to young talents in Hong Kong and continuing M+ and HKADC’s commitment to the growth of future leaders of Hong Kong’s art scene.
nota come Shoplifter ma il suo vero nome è Hrafnhildur Arnardóttir, islandese
che vive a New York e che rappresenterà l’Islanda alla prossima Biennale di Venezia, fonte Grapevine" Hrafnhildur Arnardóttir, who works under the nom-du-guerre Shoplifter, has been announced as Iceland’s representative at the 58th Venice Biennial art fair, to be held in 2019. This prestigious event sees countries around the world put forward a single artist to represent them every two years in a sprawling exhibition series that receives over 500,000 visitors each time.
“I’m really happy about this,” said Hrafnhildur, at the announcement event. “It’s like getting to the Olympics of art. The Icelandic Pavilion always draws attention, and I do not intend to change that.... "
nuovi spazi della Giudecca l’Estonia proporrà il lavoro dell’artista Kris
Lemsalu che si intitolerà “Funtain”.
Kris Lemsalu will represent Estonia at the 58th Venice Art Biennale .Next year, the Estonian pavilion at the Venice Art Biennale will feature an exhibition by Kris Lemsalu. The working title of the project is FUNTAIN. The Estonian pavilion exhibition will be opened next May in Venice, in a spectacular industrial building on the island of Giudecca.
Lemsalu is planning to create a fantasy world that is at once real and fairy-tale, involving in the process international musicians and performance artists, many of whom she has worked with before. This environment will be created for the purpose of producing a whole and emotionally charged installation in which every viewer could participate themselves. An international team of curators and writers will begin work on the exhibition project.
“In my previous work, there are too many depictions of death, which there is already enough of in the world around me,” says Lemsalu, describing her plans for the pavilion in Venice, “and even though it can be naive to think that I will be able to ditch this subject so easily, I will at least attempt to make the viewer smile – there is all the more reason to, as in Venice, death wears a carnival mask anyway.”
Kris Lemsalu is an artist with a distinctive visual language who makes use of combined techniques and methods from ceramic, installation and performance art. The driving forces behind her work are often events and stories from her personal life, based on which the artist creates mises en scène that enable her to make wider generalisations.
Lemsalu has studied at the Estonian Academy of Arts, the Danish Design School and the Academy of Fine Arts Vienna. This year, she received an Estonian national culture award for her performances at the Performa17 art biennial in New York, the David Roberts Art Foundation’s 10th anniversary events in London and for her international exhibitions in 2017. In Summer 2018 Lemsalu will be participating at the Baltic Triennial 13 and will have a solo show at the soon-opening Goldsmith's College Gallery in London at at Secession in Vienna.
Estonia’s participation in the Venice international art biennale is organised by the Center for Contemporary Arts, Estonia and funded by the Estonian Ministry of Culture.
More information: Maria Arusoo Commissioner of Estonian Pavilion email@example.com
Swiss Presence at the 2019 Venice Biennale: Pauline Boudry / Renate Lorenz to exhibit at the Pavilion of Switzerland and Céline Eidenbenz to curate the «Salon Suisse» 2019
The curator of the Swiss Pavilion at the 58th International Art Exhibition - La Biennale di Venezia,Charlotte Laubard, appointed by the Swiss Arts Council Pro Helvetia, has announced she is developing an exhibition with artists Pauline Boudry / Renate Lorenz. Curator and art historian Céline Eidenbenz is responsible for next year’s «Salon Suisse» at the Palazzo Trevisan degli Ulivi. The 58th International Art Exhibition will be held in Venice from 11 May to 24 November 2019.
Charlotte Laubard notes about her collaboration with Pauline Boudry / Renate Lorenz: “Challenging notions of gender, Pauline Boudry and Renate Lorenz question the norms that govern our representations and our life in society. What lends their work such force is that it moves beyond mere criticism or deconstruction. Their installations, films and performances are conceived as dispositifs capable of inventing other ways of being in the world, ones no longer split by categories of identity and binarisms. Their practice of “denormalisation” has led them to question the “agency” of artistic objects or gestures in their relationships to those who experience them. Their interest in these modalities of action is intimately linked to their desire to find a position towards the situation of withdrawal and antagonism that we are currently experiencing.”
Organised by the Swiss Arts Council Pro Helvetia, the «Salon Suisse» runs concomitantly to the exhibition at the Swiss Pavilion and is now in its eighth year. The programme consists of a series of lectures, talks and cultural events, and, over several long weekends, aims to provide a meeting point for the entire duration of the Biennale. It offers an opportunity to discuss art and the Biennale in a relaxed and stimulating atmosphere. Céline Eidenbenz, Director of the Valais Art Museum, will develop the programme for the «Salon Suisse» 2019 and will host all events as Salonnière.
Curated by Ralph Rugoff, the 58th International Art Exhibition will take place in Venice from 11 May to 24 November 2019 (preview from 8–10 May 2019) at the Giardini and at the Arsenale, as well as at various venues in the city.
Finalmente anche il nostro paese ha scelto il progetto del curatore Milovan Farronato per il padiglione nazionale,
“Sarà Milovan Farronato il curatore del
Padiglione Italia alla 58. esposizione internazionale d'arte di Venezia
del 2019”. Lo rende noto il Ministro dei Beni e delle Attività Culturali
e del Turismo, Alberto Bonisoli che fa sapere come il nome di Farronato
sia stato individuato al termine di una procedura di selezione a cui
sono stati invitati a partecipare dieci nomi rappresentativi del
panorama artistico nazionale. Il progetto è stato scelto dal Ministro
nell'ambito della terna proposta dalla Direzione Generale Arte e
Architettura Contemporanea e Periferie Urbane.
Tra le dieci
proposte presentate, tutte attente alle più avanzate tendenze artistiche
internazionali, è stato selezionato il progetto di Farronato che si
concentra su un gruppo limitato di artisti a cui verrà dato spazio per
presentare le proprie opere e indagare i loro universi creativi.
progetto di Farronato - ha dichiarato il Ministro Bonisoli - è molto
originale e innovativo anche dal punto di vista dell’allestimento,
valorizza il lavoro degli artisti e pone il Padiglione in linea con il
panorama artistico internazionale”.
Milovan Farronato é il
Direttore e Curatore del Fiorucci Art Trust, per il quale ha sviluppato
dal 2011 il festival Volcano Extravaganza a Stromboli. Assieme
all’artista Paulina Olowska, ha fondato nel 2014 il simposio Mycorial
Theatre a Rabka, in Polonia, che nel 2016 è migrato a San Paolo,
Brasile. Ulteriori collaborazioni includono le Magazine Sessions (nel
2016) con le Serpentine Galleries di Londra. Ha inoltre concepito The
Violent No! all’interno della 14esima Biennale di Istanbul nel 2015. Dal
2005 al 2012, è stato Direttore dell’organizzazione no profit Viafarini
e Curatore presso DOCVA Documentation Centre for Visual Arts, Milano.
2006 al 2010 è stato Curatore Associato della Galleria Civica di
Modena, per la quale ha curato nel 2006 la mostra collettiva Egomania e
le personali di Ugo Rondinone e Yayoi Kusama; nel 2007, la personale di
Katharina Fritsch; nel 2008, la bipersonale di Runa Islam e Tobias
Putrih e nel 2009 la personale di Christian Holstad.
È stato professore di Cultura Visiva al CLADEM, Università IUAV, Venezia, dal 2008 al 2015.
le mostre curate da Farronato si ricordano Nick Mauss, Illuminated
Window, La Triennale e Torre Velasca, Milano 2017; Lucy McKenzie, La
Kermesse Héroïque, presso la Fondazione Bevilacqua La Masa, Venezia
2017; Si Sedes Non Is presso The Breeder Gallery, Atene, 2017.
stato parte del team curatoriale del Dhaka Art Summit, 2017 e fa parte
del Development Committee della Chisenhale Gallery a Londra.
è l’editore di varie pubblicazioni e i suoi testi sono stati pubblicati
da Mousse Magazine, Flash Art, ATPDiary, CURA, Artribune, Tate Etc.,
L’Uomo Vogue, Fashion Trend, tra gli altri.
seguito si riportano i nomi dei 10 curatori invitati: Antonia Alampi;
Laura Barreca; Andrea Bellini; Alfredo Cramerotti; Milovan Farronato;
Luigi Fassi; Andrea Lissoni; Bruna Roccasalva; Francesco Stocchi;
La selezione dei curatori è stata condotta
attraverso l’individuazione di personalità del settore che negli ultimi
anni hanno svolto significative attività non solo nel campo della
curatela delle mostre di arte contemporanea ma anche nell’ambito della
ricerca. La scelta è stata eseguita tenendo conto delle esperienze
maturate in campo nazionale e internazionale, garantendo anche la
presenza di giovani e affermati professionisti.
Per la Lituania sarà il collettivo Nida Art Colony
Nida Art Colony will be representing Lithuania at the 58th Venice Biennale in 2019. This time the Colony will is going to present Sun and Sea, an opera-performance by Lina Lapelyte, Vaiva Grainyte, and Rugile Barzdžiukaite.
Initially, the creation of Sun and Sea was developed during the residency at Akademie Schloss Solitude in 2016. At the end of the residency, the project was presented as a micro-opera version at Palermo gallery in Stuttgart. In the autumn of 2017, it was presented at the National Gallery of Arts in Vilnius and this year the artists were awarded with Borisas Dauguvietis Earring for innovation and originality.
Sun & Sea’s setting is a makeshift beach area, set up indoors to resemble as closely as possible a real-life, crowded beach: like a counter-monumental, anti-baroque theatre.
Contemporary society, a major character in the performance, is embodied by a number of performers in their bathing suits, lying on the ground looking up, while the audience looks down at them from above. In an apparent show of frivolity and laziness, the seaside sets the stage for the ominous topics addressed by the songs with the same nonchalance: complex subjects unfold easily, attractively. Like putting on sunglasses to witness a star dying.
In her recent book, Staying with the Trouble, Donna Haraway suggests that the worst position to take in what she calls ‘a time of trouble’, plagued as it is by extinction and climate change and so much else besides, is that of ‘depressed nihilism’: in the face of overbearing complexity, of an ocean of headlines, a repetition of alarmist clichés, the mind retreats, folds in, becomes incapable of conceiving of possible action, or of believing in the consequentiality of one’s individual life, or active life.
Haraway would say: “It matters what worlds world worlds”. This phrase, seemingly so esoteric, means simple things: it is time for the sciences to recognise the arts and humanities, and for the arts and humanities to do the same back. Only through collaboration and exchange, through new imaginaries and new forms are we perhaps likely to set the stage for more interspecies and ecological re-thinks of this fragile planet. It is key, Haraway argues, for worlds once apart (science and humanities, social sciences and geology… the list goes on) to reconnect.
The authors of opera-performance Sun and Sea are Rugile Barzdžiukaite, Vaiva Grainyte, and Lina Lapelyte
The curator Dr Lucia Pietroiusti (London) is the Public Programmes Curator at the Serpentine Galleries in London.
The commissioner of the pavillon Prof Jean-Baptiste Joly (Stuttgart) is the Founder and Artistic Director of Akademie Schloss Solitude.
Producer Dr Rasa Antanavičiūtė (Vilnius) is the Executive Director of VAA Nida Art Colony.
Per il Padiglione Dutch ci saranno Remy Jungerman e Iris Kensmil
The Dutch Pavilion at the Venice Biennale functions as an important podium which embraces the occasion of national representation as an opportunity to reflect on the Netherlands’ (inter)national image vis-à-vis the current rapid transformations in Dutch society. The Mondriaan Fund is responsible for the Dutch entry.
Remy Jungerman and Iris Kensmil selected for the Dutch Pavilion in 2019
Work of visual artists Remy Jungerman (1959) and Iris Kensmil (1970), brought together by Benno Tempel for a joint presentation, has been selected as the Dutch contribution to the 58thedition of the Venice Biennale, that is to take place in 2019. The selection of this exhibition, entitled ‘The Measurement of Presence’ has been made public by the Mondriaan Fund, that was advised in that regard by an international jury.
Curator Benno Tempel (director of the Gemeentemuseum, The Hague) brings together the work of Remy Jungerman and Iris Kensmil in a presentation that has developed as a tribute to conceptual artist stanley brouwn, who passed away last year. The way in which brouwn looked at the world and how he handled his art strategically form an inspiration to generations of young artists. Jungerman and Kensmil, too, use their work to go into the necessity for artists to position themselves and to take the proper measure of the world.
Together with Jungerman and Kensmil, Tempel has developed a plan in which they present us with different visions of the notion of identity, in a presentation that offers room to reflect on our relation to the other. The jury appreciates the way in which the three artists relate to these valuable themes and considers the exhibition in the Dutch Pavilion as an appropriate recognition of their work.
The jury selected the proposal of Benno Tempel from among seventy proposals that were submitted at the beginning of this year after an open call from the Mondriaan Fund.
The jury of the Dutch entry of 2019 consists of: Carlos Amorales (artist and participant in the Dutch Pavilion in 2003 and solo-participant in the Mexican Pavilion in 2017), Zippora Elders (freelance curator and artistic director of Kunstfort Vijfhuizen), Xander Karskens (artistic director of the Cobra Museum of Modern Art in Amstelveen and curator of the Finnish Pavilion in 2017), Mirjam Westen (conservator contemporary art in Museum Arnhem and part of the jury in 2017) and Birgit Donker (director Mondriaan Fund) as chair.
The 58th Venice Biennale will run from 11 May tot en met 24 november 2019.
Ieri il sito http://scotlandandvenice.com ha annunciato che è stato scelto Charlotte Prodger per la Scozia
Charlotte Prodger to represent Scotland at 58th International Art Exhibition – La Biennale di Venezia
On behalf of the Scotland + Venice partnership, Creative Scotland is delighted to announce that Charlotte Prodger has been selected to represent Scotland at the 58th International Art Exhibition – La Biennale di Venezia.
Commissioned and curated by Linsey Young with Cove Park, Prodger’s presentation will be a major solo exhibition of new work opening on 11 May 2019 and running until 24 November 2019.
Charlotte Prodger works with moving image, sculpture, writing and performance. The commission for Scotland + Venice will provide her with the opportunity to produce a new single channel video work that will build on her sustained exploration of “queer wilderness”. Prodger will develop this new work over a series of research and production residencies at Cove Park, one of Scotland’s foremost residency centres and will be supported by the artist’s production consultant Mason Leaver-Yap. On its return to Scotland the work will tour the Highlands and Islands while Dutch arts organisation If I Can’t Dance, I Don’t Want To Be Part of Your Revolution, who are supporting the production of the work, will lead on a subsequent international tour.
Discussing the forthcoming work for the Biennale, Charlotte Prodger commented: “Growing up in the rural, agricultural environment of Aberdeenshire as a young person, I understand landscape and queerness as inherently linked. And, as someone who identifies as queer, I’m excited by the fluid borders of identity – especially the perceived edges of gender and geography. The productive crux of this new work is precisely where all these things come into contact with one another.”
Nominated for the Turner Prize this year, Prodger won the Margaret Tait Award in 2014, was shortlisted for the Jarman Award in 2017 and, in the same year, was awarded a Paul Hamlyn Award. Scotland + Venice provides Prodger with a major international platform at this key moment in her practice.
On being selected for Scotland + Venice 2019, Prodger continued: “I feel honoured to have this opportunity and it means a great deal to me to represent Scotland in Venice. The public funding I received through six years of free higher education – and subsequently in the form of artist bursaries to develop work across several years – has been absolutely crucial in enabling me to realise and sustain a practice. In addition to this, the generosity of friendships and local dialogues within Glasgow’s art, music and queer community continue to be fundamental in the development of my work.”
Linsey Young, Curator for Scotland + Venice 2019 commented: “It is a great honour to have the opportunity to commission Charlotte Prodger to represent Scotland at the 58th International Art Exhibition – La Biennale de Venezia. I am particularly thrilled to have the opportunity to work with Charlotte, Alexia Holt and the team at Cove Park alongside Mason Leaver-Yap to share Charlotte’s work within the unique context of the Biennale.”
Alexia Holt, Associate Director of Cove Park commented: “Cove Park is thrilled to have this opportunity to work with Charlotte as she produces a major new commission for such an important international platform. Charlotte’s first residency was at Cove Park in 2010 and we have followed the development of her work closely over the last 8 years. We were delighted to be able to offer Charlotte a residency in the summer this year to support her practice at such an exciting point in her career. Working with curator Linsey Young, artist’s production consultant Mason Leaver-Yap and the wider project team promises to be a wonderful experience and we are very pleased the Scottish presentation of Charlotte’s work for Venice will take place at Cove Park in 2020, our 20th anniversary year.”
The Venice Biennale is recognised as the foremost global presentation of visual art. This will be the ninth presentation supported by the Scotland + Venice partnership (Creative Scotland, National Galleries of Scotland and the British Council Scotland), continuing to build Scotland’s strength and reputation as an important international voice in visual art.
Amanda Catto, Chair of the Scotland + Venice partnership commented:“We are delighted to be commissioning Charlotte Prodger to make new work for Scotland + Venice 2019. Charlotte is a remarkable artist who is making important and compelling work that resonates with audiences nationally and internationally. This new commission will enable her to make a rich and distinctive contribution to the most significant international festival of contemporary art, the Venice Biennale. We are excited to be working with Charlotte, Cove Park, Linsey Young and the many other collaborators who will be making the project possible and very much look forward to premiering the new work in May 2019.