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Visualizzazione post con etichetta Berengo Centre. Mostra tutti i post

martedì 5 maggio 2015

Awakenar/lifebank




As a special project within the collateral event GLASSTRESS 2015 GOTIKA, Koen Vanmechelen exhibits a triptych at three locations continuing his exploration of biological and cultural diversity. AWAKENER/LIFEBANK is shown at the third floor of Palazzo Franchetti, on the Island of Murano and outside the artist’s studio in Belgium. This expansive installation intends to raise awareness of our ever-increasing abuse of food production and includes an innovative biological breeding center and restaurant.
LIFEBANK
Palazzo Franchetti, Venice (IT)

The third floor of the Palazzo Franchetti is the former site of the Banca di Venezia. Here, the artist is installing a ‘gene bank’ of heritage seeds from around the world, including those sourced from AVRDC – The World Vegetable Center in Arusha and a selection made by Piergiorgio De Filippi in collaboration with Slow Food. An interactive multi-sensorial garden forms the central part of this work including two colossal bronze hands, glass jars containing thousands of rare varieties of seeds and references to the artist’s Cosmopolitan Chicken Project; a cross-breeding programme where the chicken becomes the universal symbol for all species. Based on these same ingredients, renowned chef Pietro Leemann has created a new culinary combination ‘The Shape of Life’ which will be served to biennale visitors at the B Restaurant on Murano. This restaurant is located next to Fondazione Berengo where the AWAKENER/LIFEBANK installation of the Dromedary, Mushroom and Chicken breeding will take place.
AWAKENER/LIFEBANK
Fondazione Berengo, Murano (IT)

Fondazione Berengo houses a biological breeding center that combines the chicken, dromedary and mushrooms. Chickens have proven their scientific importance in a wide variety of ways including the resulting data from Vanmechelen’s eighteen generations of crossings in the Cosmopolitan Chicken Project. Now, here in Murano, we see the evolution from this single species investigation, to an artwork that takes the chicken, dromedary and mushroom as the basis for this new chapter - MECC - that attempts to see how the genetic material in one might be naturally transmitted to the other. It is an installation that endeavors to bridge the divide between the camelid and homo sapiens. The indispensable bridge becomes the Ayam Cemani, a rare breed of black non-hybridised chicken from Java. They will be fed mushrooms cultivated on a bed of muck from the dromedary. And their eggs will then be cooked together with the mushrooms and served in the B Restaurant. The possible outcome of this will provide new insights into the food chain. The lightbox AWAKENER/LIFEBANK is the centre of this installation, showing an artificial doubled landscape where polarities wrestle with new understandings.
AWAKENER/LIFEBANK
B Restaurant, Murano (IT)


At the B Restaurant the artist shows a mushroom growing center as part of his artistic-research project. With different players in the field of innovation in science and agriculture, the artist questions an awakening conversation between chickens, mushrooms, ancient seeds, dromedary and humans. One of the collaborators is specialist in mushroom cultivation, Chido Govera, a young social entrepreneur from Zimbabwe. She grows Oyster mushrooms on the dromedary and chicken faeces that are presented in a specially designed cage at Fondazione Berengo. The chickens are fed these mushrooms and the artistic-scientific question is; what will be the influence on the egg? Can we create a new innovating system using not chemical but biological systems?


AWAKENER/MENACE
Artist’s studio

At his studio, Vanmechelen constructs a vision of idyllic nature, a temple for biological diversity. Bees thrive in an abundance of flowers and plants. It functions as the setting for a three-minute video work AWAKENER/MENACE, as a study in disturbance, discomfort and melancholy. We are pulled from a position of safety into the midst of an almost horrific fractured Garden of Eden. We are in the middle of a scene whose actions are directed by nature itself. It is a contemporary painting of Breughel with overtones of danger. It aims to churn up an awareness of the horrors lurking just there in front of you. Pay attention, the artist wants to shake us, something is not right, can’t you feel this? The work is installed as a video projection at Fondazione Berengo during the biennale.

EXHIBITION FACTS

Locations
Palazzo Franchetti / Istituto Veneto di Scienze, Lettere ed Arti/ Campo
S. Stefano, 284, Venice
Fondazione Berengo / Exhibition Space on Murano / Campiello della
Pescheria Murano, Venice
B Restaurant/ Campiello della Pescheria Murano, Venice

Opening Hours
MAY 9 > 22 NOV, 2015
10:00 am — 6:00 pm, Monday — Sunday
Entrance ticket: full price ticket 10 euros, reduced price ticket 8 euros for groups,
over 65 and children

lunedì 29 aprile 2013

Glasstress - white light / white heat


Appuntamento fisso delle recenti biennali è quello con Glasstress che si svolge presso le tre sedi di Palazzo Cavalli-Franchetti, Berengo Centre e  la Confraternita di San Teodoro.

Glasstress,  è un evento collaterale della 55. Esposizione Internazionale d’Arte - la Biennale di Venezia, giunto alla sua terza presenza in laguna, apre al pubblico dal 1 giugno al 24 novembre 2013.

Glasstress. White Light / White Heat, a cura di Adriano Berengo e James Putnam, propone agli artisti di confrontarsi con luce e calore, aspetti intrinseci del vetro e della sua lavorazione. Il vetro nasce dalla forza distruttrice e creativa del fuoco, che trasforma gli elementi chimici di base in un fluido modellabile. Il risultato è una materia solida, ma dotata di struttura molecolare caotica, che offre alla luce una varietà illimitata di superfici, colori, trasparenze e riflessi.

Glasstress nasce da un’idea di Adriano Berengo. Ha preso avvio con l’edizione 2009 dell’Esposizione Internazionale d’Arte-La Biennale di Venezia per far evadere il vetro dal suo carcere ornamentale, restituendolo al processo espressivo degli artisti. Tra gli artisti invitati a partecipare a Glasstress, provenienti da tutto il mondo, molti si sono confrontati per la prima volta con questo materiale.


65 gli artisti presenti:

AES+F, Alice Anderson, Polly Apfelbaum, Ron Arad, Ayman Baalbaki, Miroslaw Balka, Rina Banerjee, Fiona Banner, Pieke Bergmans, Budicca, Pedro Cabrita Reis, Loris Cecchini, Hussein Chalayan, Mat Chivers, Oliver Clegg, Mat Collishaw, Tony Cragg, Tracey Emin, Paul Fryer, Francesco Gennari, Recycle Group, Cai Guo-Qiang, Dmitri Gutov, Stuart Haygarth, Mona Hatoum, Charlotte Hodes, Shirazeh Houshiary, Shih Chieh Huang, John Isaacs, Michael Joo, Ilya&Emilia Kabakov, Kiki&Joost, Joseph Kosuth, Hew Locke, Delphine Lucielle, Alastair Mackie, Jason Martin, Kris Martin, Oksana Mas, Whitney McVeigh, Aldo Mondino, Mariko Mori, Tim Noble &Sue Webster, Tony Oursler, Lucy Orta, Mimmo Paladino, Cornelia Parker, Javier Pérez, Jaume Plensa, Karim Rashid, Ursula von Rydingsvard, Thomas Schutte, Joyce Scott, Conrad Shawcross, Sudarshan Shetty, Meekyoung Shin, Helen Storey, Zak Timan, Gavin Turk, Koen Vanmechelen, Joana Vasconcelos, Martin Walde, Zhan Wang, Zak Ové, Marta Klonowska.

Ron Arad è presente con il progetto speciale Last Train.

L’esposizione è ambientata in tre sedi: oltre a quelle ormai consuete del Palazzo Cavalli – Franchetti / Istituto Veneto di Scienze Lettere ed Arti (Campo S. Stefano) e del Berengo Centre for Contemporary Art and Glass (Murano), quest’anno si affianca la Scuola Grande Confraternita di San Teodoro (San Marco).

Accompagna la mostra un importante volume in inglese con testi di Adriano Berengo, James Putnam, Frances Corner.

Glasstress 2013 è promossa da LCF-London College of Fashion con il supporto di Venice Projects, Berengo Studio 1989, Wallace Collection, Julius Baer Bank, Steinmetz Diamonds, Valmont.


Berengo Studio, fondato nel 1989 da Adriano Berengo, si pone l’obiettivo di avvicinare al mondo del vetro artisti contemporanei internazionali affinché, in collaborazione con i maestri vetrai, possano tradurre la loro ricerca artistica nel linguaggio tridimensionale della pasta vitrea.

Lo Studio lavora prevalentemente con autori affermati o emergenti, le cui opere sono perlopiù esposte in importanti musei e collezioni private, senza tralasciare i giovani artisti agli esordi.


Gli artisti che collaborano con Berengo Studio normalmente utilizzano materiali espressivi differenti dal vetro e per tale ragione nell’approccio con il nuovo medium portano sempre una originale e più libera interpretazione delle possibilità di questo straordinario materiale.