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Visualizzazione post con etichetta Scozia. Mostra tutti i post
Visualizzazione post con etichetta Scozia. Mostra tutti i post

giovedì 7 agosto 2025

Bugarin + Castle per la Scozia

Davide Bugarin, Angel Cohn Castle e Morven Gregor al Monte Stuart. 
Foto di Charlotte Cullen, per gentile concessione di Scotland + Venice.

La Scozia per la 61a Esposizione Internazionale d'Arte - La Biennale di Venezia del 2026, ha scelto Bugarin + Castle con un progetto curato dal Mount Stuart Trust e commissionato da Scotland + Venice. La commissione di Bugarin + Castle è un nuovo progetto multistrato che utilizza il concetto di parata come lente per esplorare complesse eredità emotive di vergogna, orgoglio e celebrazione.

venerdì 1 giugno 2018

Charlotte Prodger per la Scozia


Ieri il sito  http://scotlandandvenice.com   ha annunciato che è stato scelto Charlotte Prodger per la Scozia 



CS

Charlotte Prodger to represent Scotland at 58th International Art Exhibition – La Biennale di Venezia
On behalf of the Scotland + Venice partnership, Creative Scotland is delighted to announce that Charlotte Prodger has been selected to represent Scotland at the 58th International Art Exhibition – La Biennale di Venezia.
Commissioned and curated by Linsey Young with Cove Park, Prodger’s presentation will be a major solo exhibition of new work opening on 11 May 2019 and running until 24 November 2019.
Charlotte Prodger works with moving image, sculpture, writing and performance. The commission for Scotland + Venice will provide her with the opportunity to produce a new single channel video work that will build on her sustained exploration of “queer wilderness”. Prodger will develop this new work over a series of research and production residencies at Cove Park, one of Scotland’s foremost residency centres and will be supported by the artist’s production consultant Mason Leaver-Yap. On its return to Scotland the work will tour the Highlands and Islands while Dutch arts organisation If I Can’t Dance, I Don’t Want To Be Part of Your Revolution, who are supporting the production of the work, will lead on a subsequent international tour.
Discussing the forthcoming work for the Biennale, Charlotte Prodger commented: “Growing up in the rural, agricultural environment of Aberdeenshire as a young person, I understand landscape and queerness as inherently linked. And, as someone who identifies as queer, I’m excited by the fluid borders of identity – especially the perceived edges of gender and geography. The productive crux of this new work is precisely where all these things come into contact with one another.”
Nominated for the Turner Prize this year, Prodger won the Margaret Tait Award in 2014, was shortlisted for the Jarman Award in 2017 and, in the same year, was awarded a Paul Hamlyn Award. Scotland + Venice provides Prodger with a major international platform at this key moment in her practice.
On being selected for Scotland + Venice 2019, Prodger continued: “I feel honoured to have this opportunity and it means a great deal to me to represent Scotland in Venice. The public funding I received through six years of free higher education – and subsequently in the form of artist bursaries to develop work across several years – has been absolutely crucial in enabling me to realise and sustain a practice. In addition to this, the generosity of friendships and local dialogues within Glasgow’s art, music and queer community continue to be fundamental in the development of my work.”
Linsey Young, Curator for Scotland + Venice 2019 commented: “It is a great honour to have the opportunity to commission Charlotte Prodger to represent Scotland at the 58th International Art Exhibition – La Biennale de Venezia. I am particularly thrilled to have the opportunity to work with Charlotte, Alexia Holt and the team at Cove Park alongside Mason Leaver-Yap to share Charlotte’s work within the unique context of the Biennale.”
Alexia Holt, Associate Director of Cove Park commented:  “Cove Park is thrilled to have this opportunity to work with Charlotte as she produces a major new commission for such an important international platform. Charlotte’s first residency was at Cove Park in 2010 and we have followed the development of her work closely over the last 8 years. We were delighted to be able to offer Charlotte a residency in the summer this year to support her practice at such an exciting point in her career. Working with curator Linsey Young, artist’s production consultant Mason Leaver-Yap and the wider project team promises to be a wonderful experience and we are very pleased the Scottish presentation of Charlotte’s work for Venice will take place at Cove Park in 2020, our 20th anniversary year.”
The Venice Biennale is recognised as the foremost global presentation of visual art. This will be the ninth presentation supported by the Scotland + Venice partnership (Creative Scotland, National Galleries of Scotland and the British Council Scotland), continuing to build Scotland’s strength and reputation as an important international voice in visual art.
Amanda Catto, Chair of the Scotland + Venice partnership commented:“We are delighted to be commissioning Charlotte Prodger to make new work for Scotland + Venice 2019.  Charlotte is a remarkable artist who is making important and compelling work that resonates with audiences nationally and internationally.  This new commission will enable her to make a rich and distinctive contribution to the most significant international festival of contemporary art, the Venice Biennale. We are excited to be working with Charlotte, Cove Park, Linsey Young and the many other collaborators who will be making the project possible and very much look forward to premiering the new work in May 2019.


martedì 10 maggio 2016

Rachel Maclean per la Scozia



The Scotland + Venice partnership is delighted to announce that Rachel Maclean has been selected to represent Scotland at the 57th International Art Exhibition, the Venice Biennale, running from 13 May to 26 November 2017.
This will be a solo presentation of new work centred on a major new film commission. The presentation is commissioned and curated by Alchemy Film and Arts, based in Hawick, in partnership with Talbot Rice Gallery and the University of Edinburgh.

giovedì 12 marzo 2015

Graham Fagen: Scotland + Venice 2015


The Scotland + Venice partnership is delighted to announce details of the 2015 presentation with artist Graham Fagen, a Collateral Event of the 56th International Art Exhibition – Venice Biennale. Commissioned and curated by Hospitalfield in Arbroath, Scotland, the exhibition will be held at Palazzo Fontana located in the Cannaregio district of Venice. 
Graham Fagen is one of the most influential artists working in Scotland today. Throughout his career, Fagen has regularly incorporated elements of his own national, cultural and social identity into his work. Often using the artifice of theatre for the development of a narrative, Fagen will use the 16th-century palazzo as an historic backdrop for his presentation, choreographing an entirely new body of work across four rooms of the palazzo to create a path through which visitors can effectively become performers within the piece. 
Drawing on his long-term commitment to collaboration, Fagen will bring together internationally renowned composer Sally Beamish, the musicians of Scottish Ensemble, reggae singer and musician Ghetto Priest and music producer Adrian Sherwood to realise an ambitious installation. Sound that draws on very different musical traditions—Scottish folk song, classical music and reggae—will pervade the rooms of Palazzo Fontana. 
An illustrated publication which documents the breadth of Fagen’s career, including his presentation for Scotland + Venice 2015, will be published by Hospitalfield to coincide with the opening of the exhibition in Venice. Texts include contributions from Penelope Curtis, Director of Tate Britain, and Katrina Brown, Director of The Common Guild, alongside an interview with Scottish novelist Louise Welsh and Graham Fagen, with an introduction from Lucy Byatt, Director of Hospitalfield.


Scotland + Venice is a partnership between Creative Scotland, the National Galleries of Scotland and the British Council. Representatives of these organisations sit on a Steering Group that oversees the successful delivery of the project. 


Graham Fagen studied at The Glasgow School of Art (1984–88, BA) and the Kent Institute of Art and Design (1989–90, MA) and is senior lecturer at Duncan of Jordanstone College of Art & Design. In 1999 Fagen was invited by the Imperial War Museum, London to work as the Official War Artist for Kosovo. Since then, Fagen has exhibited widely both in the UK and abroad. Previous exhibitions include The Golden Age, Institute of Contemporary Art, London (1999), The British Art Show (2000), Zenomap, Scotland and Venice at the 50th Venice Biennale (2003), Bloodshed at the Victoria & Albert Museum and Art of the Garden, Tate Britain (2004), Busan Biennale, South Korea, Still Life, Art and Industry Biennial, New Zealand (2004). In 2011 Fagen was the International Artist in Residence at Artpace, San Antonio, concluding with a solo exhibition, Under Heavy Manners, and with theatre director Graham Eatough, he created The Making of Us, a performance, installation and film for Glasgow International 2012.

Recent exhibitions include Cabbages in an Orchard at the Glasgow School of Art (2014); participation inGENERATION: 25 Years of Contemporary Art from Scotland (2015) at the Scottish National Gallery of Modern Art in Edinburgh, and In Camera (2015) with Graham Eatough at the Panorama, La Friche, Marseille. Fagen is represented by Matt’s Gallery, London and Galerie Micky Schubert, Berlin. 





Hospitalfield: An Artist’s House, located in Arbroath, Scotland, holds a programme of residencies, commissions and curated projects which aim to negotiate and inspire an interplay between the heritage and history of the site and contemporary cultural ideas and practices. From the semi-rural location on the east coast of Scotland we work with a range of partners to ensure that Hospitalfield plays a significant role within the national cultural ecology and wider international network. The 19th-century Scottish artist Patrick Allan-Fraser (1813–1890), inspired by his term of presidency at the Royal Academy in Rome, left his estate in Trust to become a residential art school. The model has necessarily changed over time and Hospitalfield are currently working on the first phase of a 21st-century Future Plan, led by architects Caruso St John. 




Palazzo Fontana is a new location for Scotland’s presentation at the Venice Biennale and this will be the first time that the palazzo has been used for the Biennale. Graham Fagen will present an entirely new body of work devised for the rooms of this historic and atmospheric palazzo.
Built at the end of the 16th century by pupils of the leading Renaissance architect Jacopo Sansovino, the palazzo is centrally located on the Grand Canal in the Cannaregio district of Venice; only a short walk from the Ca’ D’Oro vaporetto, and accessible on foot from La Strada Nuova.

Scotland + Venice 2015 events: 

Graham Fagen
Artist’s talk at Hospitalfield, Arbroath
23 April, 18:30–20:30h 

Graham Fagen 
Artist’s talk at the National Galleries of Scotland, Edinburgh
20 May, 18:30–20h






Palazzo Fontana
Cannaregio 3829
Venice
Hours: Tuesday–Sunday 10am–6pm 
Free admission
Access for the public via Strada Nuova, Calle Fontana