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Visualizzazione post con etichetta Turchia. Mostra tutti i post
Visualizzazione post con etichetta Turchia. Mostra tutti i post

martedì 12 febbraio 2019

Padiglione Turco


Ecco le ultime news dal padiglione della Turchia 

The Pavilion of Turkey at the 58th Venice Biennale
May 11 -  November 24, 2019
Opening: May 9, 2019
Artist: İnci Eviner
Curator: Zeynep Öz
Location: Sale d'Armi Nord, Arsenale, Venice
Commissioner: Istanbul Foundation for Culture and Arts (İKSV)

We, Elsewhere, a new work by İnci Eviner will be presented in the Pavilion of Turkey at the 58th International Art Exhibition, La Biennale di Venezia, to be held from 11 May through 24 November 2019. Organised by the Istanbul Foundation for Culture and Arts (İKSV) and sponsored by Fiat, the Pavilion of Turkey will be curated by Zeynep Öz and located at Sale d’Armi, which is one of the main exhibition venues of La Biennale di Venezia.

We, Elsewhere is created as a site-specific installation for the Pavilion of Turkey at the 58th International Art Exhibition, La Biennale di Venezia and makes use of elements such as reconfigured objects as well as drawings, video, sound, and performance. It is an investigation into the spaces that we create, and are created for us as a result of collective displacement. The exhibition ruminates on how subjects who find themselves in these spaces react and interact with one another and with their memories. Various elements of sound, reconfigured objects and characters crafted by Eviner evoke the sense of a search for the missing, the erased and that which is elsewhere. A certain aggression and abruptness comes out in the characters’ everyday behaviour informing their identities in transition. The space itself, in which visitors are invited to walk along the ramps, courtyards and edges, displays permeability, allowing views through cuts and cracks along the walls. The paths punctuated by the objects suggest the way in which memory eases conflicts. Together, the characters, the space and the paths tell a story akin to Hannah Arendt’s narrative of struggles in We Refugees.

At the press conference held at Salon İKSV on Tuesday, 12 February, where the conceptual framework was announced, İnci Eviner said: “These figures are constantly changing places through the space to find their other halves. This effort is actually an attempt to reclaim their interrupted and invalidated memory and bodies. In doing so, mythologies and memories, the habits of everyday life, their joy and sorrow need to be picked up one by one and put into place. I try to keep myself in and out of events to witness all of this. The responsibility of being a witness is in the questioning of being "us".

Regarding Eviner’s practice and her new work, Zeynep Öz said: “Eviner uses the architectural component in We, Elsewhere as the stage on which elements of action come together in order to think through issues of migration and confinement in shaping continuously shifting subjectivities.”

İnci Eviner works with names from different disciplines for We, Elsewhere. The architectural design of the project was created by Birge Yıldırım Okta and Gürkan Okta, whereas the sound design is by Tolga Tüzün. The video which will be reflected in Pavilion of Turkey will include the performance artists and dancers Canan Yücel Pekiçten, Melih Kıraç and Gülden Arsal. Director of photography of the video is Aydın Sarıoğlu and the video post-production team includes Cem Gökçimen and Cem Perin.

The exhibition’s visual identity and the upcoming book, which will accompany the exhibition and will be available at the opening of the Pavilion of Turkey, are designed by Okay Karadayılar and Ali Taptık (ONAGÖRE).

The Pavilion of Turkey at La Biennale di Venezia is coordinated by Istanbul Foundation for Culture and Arts (İKSV) and realised through the sponsorship of Fiat, with the production support of SAHA Association with the contribution of the Ministry of Culture and Tourism and under the auspices of the Ministry of Foreign Affairs of the Republic of Turkey. The Pavilion of Turkey’s long term venue opened at the 14th International Architecture Exhibition, La Biennale di Venezia in 2014 for the first time, upon a 20-year allotment of the Arsenale with İKSV’s initiation and the contribution of 21 supporters.  

mercoledì 27 giugno 2018

İnci Eviner per la Turchia





L'artista İnci Eviner rappresenterà la Turchia 



CS dal sito http://www.iksv.org 

A new installation by the influential artist İnci Eviner will be presented at the Pavilion of Turkey at the 58th International Art Exhibition, La Biennale di Venezia, to be held between 11 May and 24 November 2019. Curated by Zeynep Öz, the presentation will take place at a dedicated location at the Arsenale.
İnci Eviner’s work usually takes drawing as a starting point and comprises a large body of multi-layered pieces that range from paintings and video to performative and collaborative practices. Eviner explores the formation of subjectivity, and her work touches on the workings of power and the politics of representation, especially with regards to the female body. The complex set of relations that Eviner forms between video technologies and painting tradition proposes a different kind of perception.
She has shown her work in solo and group exhibitions worldwide. She has been invited to participate in numerous biennials including the Sharjah Biennial (2017), Aichi Triennale (2016), Istanbul Biennial (2013 and 2005), Thessaloniki Biennale (2013), Asian Art Biennial (2013), Busan Biennale (2010), Shanghai Biennale (2008) and Venice Biennale (1997). Among the museums where her works have been exhibited are the Drawing Center, the Philadelphia Museum of Art, Thyssen-Bornemisza Art Contemporary, Musée d'Art Moderne de la Ville de Paris, Massachusetts Museum of Contemporary Art, Palais des Beaux-Arts de Lille and Istanbul Modern.
Eviner was a winner of the Sharjah Biennial Prize (2017), and she was an artist-in-residence at Headlands Center for Art (California, 2017), Rauschenberg Foundation (Florida, 2017), SAM Art Projects (Paris, 2010), Musée d’art contemporain du Val-de-Marne (Vitry-sur-Seine, 2009), Cité internationalé des Arts (Paris, 2008) and International Studio & Curatorial Program (New York, 2004-2005).

martedì 10 febbraio 2015

News dal Padiglione Turco



Ecco vi le ultime notizie sul Padiglione Turco che presenterà il progetto installativo "Respiro". 

Ora c'è anche il sito

http://turkiyepavyonu15.iksv.org/indexEN.html

e  http://www.iksvphoto.com/#/folder/fd5c3z



The Pavilion of Turkey to present 'Respiro' by Sarkis at the 56th International Art Exhibition, La Biennale di Venezia.


'Respiro', an installation by the influential conceptual artist Sarkis, will be presented in the Pavilion of Turkey at the 56th International Art Exhibition, la Biennale di Venezia. The installation will be on exhibit at the biennale from 9 May through 22 November 2015. Organised by the Istanbul Foundation for Culture and Arts (İstanbul Kültür Sanat Vakfı), the Pavilion of Turkey is curated by Defne Ayas and is located at Sale d’Armi, Arsenale, in the main venue of the biennale.


Respiro, an installation by the influential conceptual artist Sarkis, will be presented in the Pavilion of Turkey 
at the 56th International Art Exhibition, la Biennale di Venezia. The installation will be on exhibit at the biennale to be held from 9 May through 22 November 2015. Organised by the Istanbul Foundation for Culture and Arts (İKSV), the Pavilion of Turkey is curated by Defne Ayas and is located at Sale d’Armi, Arsenale, in the main venue of the biennale. 

The artistic parameters of the Pavilion of Turkey at the 56th International Art Exhibition, la Biennale di Venezia were announced at a press meeting on Tuesday, 10 February 2015 at Salon İKSV with the participation of artist Sarkis and curator Defne Ayas. İKSV General Director Görgün Taner and Corporate Communication Director of Tofaş Arzu Çolakoğlu on behalf of Fiat also participated in the meeting. 

In his opening speech, İKSV General Director Görgün Taner stated “The International Art Exhibition of la Biennale di Venezia is a very important platform that brings artists from Turkey together with international audiences. 
This year, the Pavilion of Turkey presents a new project by internationally renowned conceptual artist Sarkis. 
Sarkis has been working in different mediums for over half a century and his works have been exhibited in the prominent art centres, exhibitions and museums all around the world. We are grateful and proud to be able to share his exciting project Respiro with the art world at the Pavilion of Turkey, which will be curated by Defne Ayas.” 

The Corporate Communications Director of Tofaş Arzu Çolakoğlu delivered a speech on behalf of Fiat: 
“In addition to national economy, with the awareness of adding value, we are pleased to support various fields like sports or culture and arts, we are also glad to see Koç Group’s contribution and support to contemporary arts at la Biennale di Venezia. Hundreds of thousands of people visit la Biennale di Venezia, and every national pavilion, every artist and every artistic work take us to new dimensions, pushing the limits of our imagination. As the sponsor of the Pavilion of Turkey, this extraordinary effect is a source of pride for our country, for our brand Fiat and surely for our corporation, Tofaş. We believe that, under the curatorship of Defne Ayas, the works of Turkey’s esteemed contemporary artist Sarkis—whose successful works have met millions of art lovers around the world—will honour our country, by creating a tremendous impact at the Pavilion of Turkey at the 56th International Art Exhibition, 
la Biennale di Venezia. As the Tofaş Family, we hereby thank İKSV and our invaluable artist Sarkis.

A prominent figure of the global art world with a career spanning more than five decades, Sarkis has been renowned for his oeuvre that embraces culturally diverse genealogies of art and history, and their innate relationship to memory and space.

In Respiro, I will be reaching out beyond geopolitics, to a more expansive context of a million plus years, going back to the creation of the universe and the beginning of time, back to the first-ever rainbow—the very first magical breaking point of light,” explained Sarkis during the press meeting, where he also detailed the exhibition plans using a whiteboard and markers. “Instead of binding ourselves to specific instances within the histories of politics, religion, philosophy, and the arts, we will be embracing contemporaneity of both the present and the distant past in our continued attempt to defy stagnation.” 

Through the arrangements of objects, images, thoughts, and codes that are released from both personal and collective memories, Sarkis will use the site of the pavilion as a theatrical stage for the cast of his works to investigate the ideas of infinite dialogue and transformation that lie at the core of his practice. The exhibition titled Respiro, meaning breath in Italian, will present an installation of mirrors, stained-glass panes, and site-specific neon works, and will be complemented by a composition by Jacopo Baboni-Schilingi (b. 1971, Milan), based on the artist’s drawing of the rainbow’s seven colors as a system of partitions.

Few artists have combined artistic ingenuity with such a subtle critique of history as deftly as Sarkis,” commented Defne Ayas. “This undertaking opens up a space in which the potential of art will be reanimated. 
Against the current landscape of deep uncertainties, it is our intention to unfurl a proposition that reveals Sarkis’s profound concern for humanity. With and through his intense and perfectionist oeuvre—especially with his magnum opus in the making—and thanks to his rich arsenal of visual, architectural, and musical apparatus, we will be able to tune into hidden signals and frames encrypted in mediated images and visions; dig deeper into our contemporary lived experience; most likely hurt but also hopefully heal. The focus is the transformative power of art, as well as the timelessness and the timeliness of his oeuvre. I am grateful to him for not only accepting İKSV’s invitation this year but also inviting me to take on the project’s dramaturgy.”

A new publication will accompany Sarkis’s Respiro. Conceived as a cross-referencing of Sarkis’s installation through key essays and short image readings, the book will include contributions by Ruben Arevshatyan, 
Uwe Fleckner, David Kazanjian, Wendy Meryem Kural Shaw, W. J. T. Mitchell, Aaron Schuster, and Jalal Toufic, amongst others. The volume edited by Defne Ayas, published by İKSV and designed by A Practice for Every Day Life, London will be available at the launch of the Pavilion of Turkey at the biennale and will be sold at select bookstores. 

Two simultaneous installations by Sarkis will be opening on 7 May, one in Istanbul and one in Geneva, as to create a continuous dialogue with wider audiences. The 56th International Art Exhibition, la Biennale di Venezia will run from 9 May through 22 November 2015, 
and will be curated by Okwui Enwezor. 

The exhibition in the Pavilion of Turkey at la Biennale di Venezia is sponsored by Fiat, and realised under the auspices of the Ministry of Foreign Affairs and the Ministry of Culture and Tourism of the Republic of Turkey, with the production support of Mehveş-Dalınç Arıburnu and SAHA Association. The Pavilion of Turkey, 
a dedicated long-term venue at the Arsenale, is an initiative of İKSV, also supported by the generous contribution of twenty-one sponsors.
 
BIOGRAPHIES
 
Sarkis 
A graduate of Mimar Sinan University of Fine Arts, Istanbul, Sarkis (b.1938, Istanbul) had his first exhibition at the Istanbul Art Gallery in 1960. Throughout his career, Sarkis has worked with various mediums, and has been, 
since the end of the 1960s, an icon of installation art in particular. His works have been exhibited worldwide in established art institutions, museums, and galleries, including the Centre Georges Pompidou (Paris); 
the Guggenheim Museum (New York); the Musée d’Art Moderne de la Ville de Paris; the Kunst-und-Ausstellungshalle (Bonn); the Louvre (Paris); the Bode Museum (Berlin); and Kunsthalle Düsseldorf. 
Sarkis was also part of When Attitudes Become Form: Works – Concepts – Processes – Situation – Information (Kunsthalle Bern, 1969), Documenta VI and VII (Kassel, 1977 and 1982), and the biennials of Sydney, Shanghai, São Paulo, Moscow, and Istanbul. Most recen tly, Sarkis has had solo shows at Galeri Manâ (Istanbul, 2013); ARTER (Istanbul, 2013); the Museum Boijmans Van Beuningen (Rotterdam, 2012); Galerie Nathalie Obadia (Paris, 2011 and 2014); MAMCO, Museum of Contemporary Art (Geneva, 2011); Centre Pompidou (Paris, 2010); 
and Istanbul Modern (2009). He has been living and working in Paris since 1964. He is represented by Galerie Nathalie Obadia, Paris/Bruxelles.

Defne Ayas
Defne Ayas is the Director and Curator at Witte de With Center for Contemporary Art in Rotterdam. 
During her directorship, Witte de With commissioned Dai Hanzhi: 5000 Artists (with UCCA, Beijing, 2014); Moderation(s) (with Spring, Hong Kong, 2012-2014); The Humans by Alexandre Singh – and its monthly Causeries (2012–2013); Tulkus 1880 to 2018 by Paola Pivi (with Castello di Rivoli and Arthub Asia, 2013–2018) as well as the award-winning exhibition The Temptation of AA Bronson (2013). Prior to this appointment, Ayas 
co-founded Arthub Asia, an Asia-wide production and research initiative, (2007–present), and Blind Dates Project, an artistic platform dedicated to tackling what remains of the people, places, and cultures that were once part of the Ottoman Empire. Since 2005, she has been a curator at Performa, the biennial of performance art in New York, where she remains a curator-at-large. In September 2012, Ayas co-curated the 11th edition of the 
Baltic Triennial of International Art. Ayas worked as the education and new media programs coordinator at the 
New Museum of Contemporary Art in New York before attending the De Appel curatorial program in Amsterdam. She received her M.A. from the Interactive Telecommunications Program at New York University in 2003, 
and a B.A. in Foreign Affairs in 1999.

About Istanbul Foundation for Culture and Arts (İKSV)
Istanbul Foundation for Culture and Arts (İKSV) is a non-profit cultural institution that was founded in 1973. 
The general objectives of the Foundation are: to make Istanbul one of the world's foremost capitals of culture and the arts; to create continuous interaction between national and universal values, and traditional and contemporary values via culture and the arts, and to contribute actively to the development of cultural policies. With these objectives, İKSV organises the Istanbul Festivals of Music, Film, Theatre and Jazz, as well as the Istanbul Biennial, the Istanbul Design Biennial, autumn film week Filmekimi and other special events. 

The Foundation hosts cultural and artistic events at Salon located at the Nejat Eczacıbaşı Building. 
İKSV organises the Pavilion of Turkey at la Biennale di Venezia and coordinates an artist residency program at 
Cité International des Arts, France. İKSV also conducts studies and drafts reports with the aim of contributing to cultural policy development.

domenica 1 dicembre 2013

Turchia, 20 anni di Biennale, fino al 2034


E' stato siglato l'accordo fra la Biennale di Venezia e la Turchia per una sede permanente per i prossimi venti anni. 

Istanbul Cultura e Art Foundation, col sostegno di 21 promotori,  hanno dato corpo a questa iniziativa che vede l'uso del palazzetto ad angolo nell'area dell'Arsenale, fino al 2034.