Ecco il programma di uno dei tanti eventi collaterali che si stanno definendo, si tratta di "Venice Agendas" che si svolgerà nei giorni dell'opening della Biennale, presso Palazzo Zenobio, Fondamenta del Soccorso, e al CZ95, Giudecca 95, e sulle linee dei vaporetti.
Un'occasione di iniziare la giornata con tanti stimoli, fra incontri e performance, ecco il programma:
Dettagli al sito www.veniceagendas.eu e www.artspavilionbournemouth.tumblr.com
PALAZZO ZENOBIO Boîte-en-valise
Palazzo Zenobio,
Fondamenta del Soccorso, Dorsoduro 2596.
Wednesday 29 May
- Sunday 2 June 2013 from 1 pm each day
featuring live
art performances by: The Girls
(Zerelda Sinclair and Andrea Blood), Marcia Farquhar and Tim Russell.
Arts Pavilion
Bournemouth presents, Boîte-en-valise, a series of live art performances by
established and emerging practitioners. Appropriating and transmuting Marcel
Duchamp’s Boîte-en-valise and responding to Venice Biennale Art Director
Massimiliano Gioni’s theme of The Encyclopedic Palace, each of the selected
artists has been asked to pack work in a suitcase and travel to Venice for
presentation at Palazzo Zenobio.
Marcia Farquhar
reprises her highly regarded Acts of Clothing performance for an international
audience in Venice. Acts of Clothing Venice draws on personal cultural and
social associations, the semiotics of clothing, the pleasure and pain of
outfits and the absurdity attendant to getting dressed. “…a lucid enactment of
the process by which women’s clothing can express desires and thereby concede
the means of repressing those desires…an extraordinary performance, the more
exceptional for its agile language, where Farquhar, with the timing of the
stand up comic… turn(s) her often hilarious anecdotes into unexpected
revelations of vulnerability” (Mark Harris, Art Monthly, 1999)
The Girls tableau
Diamonds and Toads invokes the ill-fated heroines of the Brothers Grimm and
Hans Christian Anderson while also alluding to contemporary concerns such as
voyeurism and female objectification. The Girls (Zerelda Sinclair and Andrea
Blood) performance of Diamonds and Toads (from Charles Perrault), presented
here in Venice also resonates with the Carnivale di Venezia, reimagined in the
1970’s from 12th Century roots as an international festival. ‘(The Girls) wear
masks with the same red-lipped plastic anonymity as a blow-up sex doll, and
perhaps it is that which makes this piece so compelling and disturbing.’
(Herbert Wright, FAD, 2011)
Tim Russell will
present the Venice Oracle, a personal conversation between artist and each
audience member who picks up a ringing mobile phone. Frequenting the waterways
of the City, he practices the deceit of solitude. The gondoliers of Venice say,
“that here at the centre of all is he who sees each thing done in its’
beginning and in its’ end…” This appropriated phrase from Rene Daumal’s unfinished
novel Mount Analogue sets the tone for the utterances of the Oracle, who will
offer each person answering the phone a unique image of the mutually arising
moment of encounter and their deepest concerns.
Events at
CZ95
Wednesday
29 May: Live Art—Are you here? Were you there?
Breakfast: 9am
Event: 10am–12pm
Chaired by Jean
Wainwright, speakers include Kathy Battista, Tony Heaton, rAndom International,
Lois Keidan, Lauren A Wright and artists Marcia Farquhar, Joan Jonas, Marta
Jovanovic, Andrea Pagnes and Verena Stenke.
As performance
art becomes increasingly visible in the programmes and collections of major
museums and galleries, this event aims to evaluate the current status of
performance and live art. A series of brief presentations will ask whether this
inclusion kills the element of risk often related to performance or if live
practices enable institutions to challenge their audiences. The session will
also consider the unintended performer and raise issues that encompass
disability and gender.
Thursday 30 May:
Speed Dating—Working the Room
Breakfast: 8:30am
Event: 9am–10am
Speed date with
Kathy Battista, Sacha Craddock, Tony Heaton, rAndom International, Marta
Jovanovic, Brett Littman, Beral Madra, Richard Mosse, Andrea Pagnes, Verena
Stenke, Hilde Teerlinck, Hans Ulrich Obrist, and Jinny Yu, among others.
Discussions and
debates are important catalysts for action and often one-to-one conversations
can be the most instrumental. This event plays with the idea of speed dating
and the notion of working the room by removing the concept of an audience;
every participant becomes an active part of the session.
Friday 31 May:
The Alternative Scene: International Art Production
Event: 9am–12pm,
with breakfast
Chaired by
Vittorio Urbani with Elisa Genna, Francesco Ragazzi and Francesco Urbano.
Panelists include
Kathrin Becker, Antonia Carver, Aaron Cezar, Penelope Curtis, Branko
Franceschi, Magda Guruli, Maria Hlavajova, Stephanie James, Nadira
Laggoune, Kalliopi Lemos, Beral Madra, Jonathan Watkins, among others.
International
curators and artists will consider the status of biennials and art events as
sites for the production of live artworks. It will ask whether these create
enriched cultural landscapes through fringe events and cooperation among
organisations, or whether their concentration of resources and audiences can be
counterproductive. Are projects involving educational institutions and
residencies alongside these ‘main events’ able to change the habits of a
globalised art world, where values and formats are intended to be exportable
and repeatable?
Performances:
As part of Venice
Agendas workinprogress and Arts Pavilion Bournemouth have commissioned a series
of performances respectively, to take place in different locations.
workinprogress
has invited artists Jenni Cluskey and Aaron Williamson to
respond to Venice in relation to its site, context and identity. Cluskey’s new
work explores the politicisation of culture through the action of ‘peaceful
protest’ using the traditional artform origami. For Williamson the letters ‘J,
K, W, X, Y’ which only appear in the Italian alphabet through imported words,
form the basis of his performance through the streets of Venice.
Arts Pavilion
Bournemouth presents Boîte-en-valise: The Girls (Zerelda
Sinclair and Andrea Blood),Marcia Farquhar and Tim Russell,
co-curated by Carol Maund, Stephanie James and Mark Segal. Appropriating and
transmuting Marcel Duchamp’s Boîte-en-valise and responding to Massimiliano
Gioni’s theme of The Encyclopedic Palace, each of the selected artists has been
asked to pack work in a suitcase and travel to Venice for presentation.
Venice
Agendas is curated and presented by Terry Smith, Clare Fitzpatrick and
Helen Rawlins from workinprogress, in partnership with FRAC Nord-Pas de Calais;
Nuova Icona; SHAPE London; Turner Contemporary; Arts University Bournemouth;
Arts Bournemouth; Central Saint Martins, University of the Arts London and
University for the Creative Arts. With the support of Audio Arts;
Associazione E; CZ95; Municipalità di Venezia; Live Art Development Agency and
supported using public funding by the National Lottery through Arts Council
England.
Events are free
but availability is limited. To book a place or for further information please
contact Helen Rawlins helen@workinprogressuk.com.
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