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Visualizzazione post con etichetta Sweden. Mostra tutti i post
Visualizzazione post con etichetta Sweden. Mostra tutti i post

venerdì 28 aprile 2017

Padiglione Paesi Nordici





The exhibition 'Mirrored' will be presented in the 2017 edition of the Nordic Pavilion at the 57th International Art Exhibition, la Biennale di Venezia. 'Mirrored' is a group exhibition featuring works by six artists from different generations: Siri Aurdal, Nina Canell, Charlotte Johannesson, Jumana Manna, Pasi “Sleeping” Myllymäki, and Mika Taanila.
'The artists in "Mirrored" present a mapping of connections that override the national and regional boundaries, and instead track a more multi-faceted view of how artistic practice may connect', says curator Mats Stjernstedt.
The exhibition 'Mirrored' attempts to avoid a topical approach, to focus on challenging a self-image reflected in, or stereotypes projected on, the Nordic countries. 'Mirrored' thus suggest a 'placeless place', to borrow Guiliana Bruno’s allegory on mirrors.
Siri Aurdal (b.1937), Charlotte Johannesson (b.1943), and Pasi “Sleeping” Myllymäki (b.1950) are innovators who, to some extent, have created and articulated the artistic realms they later came to work within. All three artists can be described as atypical for the Nordic Pavilion’s extended architecture, as much landscape and outdoor experience as an enclosed space. Their works are examples of urban art and urbanity that was ahead of its time in exploring industrial material, digital space, or design experiments with moving images. Aurdal’s module-based sculptures challenge the sculpture medium and establish new premises for it. Johannesson took her cue from traditional textile crafts and translated the logical setup of tapestries into computer-based pixels. Before giving up his film practice, Myllymäki produced forty-four super-8 films from 1976 to 1985; these films explore a wide range of elements from graphic design to performative actions.
A similar interest in urban subject matter, expressed, for instance, through material transformation or political content, intersects the works of the following artists: Mika Taanila (b.1965) is primarily recognised for producing temporal artworks in film, video and sound. For the present exhibition, Taanila uses montage technique to create a cut-out project in cinematic literature. Nina Canell’s (b.1979) experimental mode of relating to sculpture and installation, considers the place and displacement of energy. However, like Taanila’s film and sound work, they have a temporal quality, as Canell converts sculpture’s often fixed form into open-ended processes. The works of Jumana Manna (b.1987) explore how power is articulated through relationships, often focusing on the body and materiality in relation to narratives of nationalism, and histories of place. In her sculptural work, Manna indirectly unfolds representation, creating a visual language of absence and substitutes.

The Nordic Pavilion 
The Nordic Pavilion, by Norwegian architect Sverre Fehn, was completed in 1962 and has since been a space for collaboration between three nations – Sweden, Finland and Norway. For the past three biennials, a format was introduced which involved the solo commissioning of a project by each country in turn. For the period 2017–2021, the art in the Nordic Pavilion will be presented as a joint project, where the three countries are represented on equal terms. The countries will alternate as principal commissioner and manager of activities at the Nordic Pavilion as follows: 2017, Moderna Museet, Sweden; 2019, Frame Contemporary Art Finland, Finland; 2021, Office for Contemporary Art Norway (OCA).

Siri Aurdal 
 Siri Aurdal (b.1937) lives and works in Oslo, Norway. Aurdal has exhibited at Oslo Kunstforening, Kunstnernes Hus, Oslo, and Murray Guy, New York, and has participated in group exhibitions at Arkiv för dekorativ konst / Skissernas Museum, Lund, the 15th Biennial, Antwerp, Kunsthall Oslo, and Stavanger Kunsthall. A major sculptural work, Wavelengths – Recomposed, was installed in Oslo’s Vigeland park in 2016, as a joint project between Kunstnernes Hus and OSLO PILOT, Kulturetaten, the City of Oslo.

Nina Canell 
 Nina Canell (b.1979) lives and works in Berlin, Germany. Canell has exhibited at Kunsthalle Fridericianum, Kassel, Hamburger Bahnhof, Camden Arts Centre, London, Douglas Hyde Gallery, Dublin, Moderna Museet, Stockholm, Arko Art Center, Seoul, and in 2017 at Museum Tamayo, Mexico City. She has participated in various group exhibitions at several art institutions, including Biennale de Lyon, Sydney Biennale, Palais de Tokyo, Paris, Museum of Modern Art, New York, Liverpool Biennale, Tate Liverpool, and Manifesta 7, Rovereto. Canell was an Edstrandska Stiftelsen laureate in 2011, and was awarded the ars viva Prize for Visual Arts the same year.

Charlotte Johannesson 
 Charlotte Johannesson (b.1943) lives and works in Skanör, Sweden. She has exhibited at Galerie S:t Petri, Lund, Konstmuseet, Ystad, Galleri Glemminge, Gelmmingebro, Galerie Green, Malmö, Dexter Bang Sinister, Kunsthall Charlottenborg, Copenhagen, and Galleri Petra Lilja, Malmö, and has participated in various group exhibitions, including the 32nd São Paolo Biennale, the Van Abbemuseum, Eindhoven, Barbican Art Gallery, London, Göteborgs Konstmuseum, Norrköpings Konstmuseum, Museum of Modern Art, Toyama, Pratt Center, New York, Academy of Art College Gallery, San Francisco, Musée d’Art Moderne, Paris, Air Gallery, New York, Malmö Konsthall, and Kulturhuset, Stockholm. Johannesson was awarded the Royal Swedish Academy of Arts scholarship in 1976. In 2016, she was a laureate of the Aase & Richard Björklund Fund.

Jumana Manna 
 Jumana Manna (b.1987) lives and works in Berlin, Germany. She has exhibited at SculptureCenter, New York, Chisenhale Gallery, London, and Beirut Art Center. She has participated in group exhibitions at Kunsthalle Wien, the Liverpool Biennial, the 20th Biennale of Sydney, Marrakech Biennale 6, the Jerusalem Show VII, Al Ma’mal Foundation, and Henie Onstad Kunstsenter, Bærum. Manna’s films have been screened at festivals and institutions such as M+, Hong Kong, the 54th Viennale International Film Festival, Guggenheim, New York, Filmlab: Days of Cinema, Ramallah, Tate Modern, London, Performa13 Biennial, New York, and IFFR Rotterdam. She was awarded the A.M. Qattan Foundation’s Young Palestinian Artist Award in 2012, and is the ars viva Prize for Visual Arts laureate in 2017. In 2017, she is engaged in commissions for the Satellite Program 10, Jeu de Paume, Paris and CAPC Bordeaux, and for The HighLine, New York.

Pasi “Sleeping” Myllymäki 
 Pasi “Sleeping” Myllymäki (b.1950) is a filmmaker based in Hämeenlinna, Finland. Myllymäki’s films have been screened widely at festivals and art institutions in Finland and internationally, including Unica, Baku, The Kitchen, New York, Hämeenlinna Art Museum, Moderna Museet, Stockholm, Rajaton Elokuva Event, Joensuu, Avanto Festival, Kiasma, Helsinki, Nordisk Panorama, Oulu, VIDEO-EX, Zürich, Kauniita uneksijoita-event, Kino Kaiku, Malmitalo, Helsinki, Avant Goes Witty, Karlstad, IFFR, Rotterdam, Kinos Festival, Lahti, AAVE Festival, Helsinki, Rakkautta ja Anarkiaa Film Festival , Helsinki, and VIDEOMEDEJA Film Festival, Novi Sad.

Mika Taanila 
 Mika Taanila (b.1965) lives and works in Helsinki, Finland. Taanila has exhibited at Kiasma Museum of Contemporary Art in Helsinki, Contemporary Art Museum St. Louis, Migrosmuseum, Zürich, and Badischer Kunstverein, Karlsruhe. He has participated in the following selected group exhibitions: documenta (13), Kassel, Aichi Triennale, Nagoya, Manifesta 4, Frankfurt-am-Main, and Shanghai Biennale. Taanila’s films have been screened at numerous international film festivals and special events, including the Toronto International Film Festival, IFFR Rotterdam, Berlinale, CPH:DOX, International Short Film Festival Clermont-Ferrand, Midnight Sun Film Festival, Sodankylä, and Oberhausen Kurzfilmtage. In 2015, he was presented with the Ars Fennica Award.

Mats Stjernstedt has been Director of Kunstnernes Hus in Oslo since 2011, and was appointed Director for Malmö Konsthall from January 2017.

venerdì 26 febbraio 2016

Mats Stjernsted per i Padiglioni Nordici


Mats Stjernstedt è stato nominato curatore per il Padiglione dei Paesi Nordici (Norvegia, Finlandia e Svezia), ne ha dato notizia il Moderna Museet 

English
Mats Stjernstedt will curate the joint exhibition of Finland, Norway and Sweden in the Nordic Pavilion at the 57th International Art Exhibition, La Biennale di Venezia 2017. The exhibition marks the rejuvenation of the Nordic collaboration between the three countries.
The art in the Nordic Pavilion will be presented as a joint project, where the three countries are represented on equal terms. As before, the countries will take turns as principal commissioner and manager of activities at the Nordic Pavilion as follows:
2017: Moderna Museet, Sweden
2019: Frame Visual Art Finland, Finland
2021: Office for Contemporary Art (OCA), Norway

Moderna Museet has thus appointed Mats Stjernstedt to curate the Nordic Pavilion in 2017. Stjernstedt is the artistic director of Kunstnernes Hus in Oslo since 2011. He has curated numerous exhibitions internationally over the years.
“Being asked to assemble an exhibition for the Nordic Pavilion is an honour and a challenge. I appreciate being entrusted this assignment and look forward to combining my experience with research over the next few months. I also look forward to presenting interesting artists who are active in the Nordic countries, within the compelling framework of La Biennale di Venezia,” says Mats Stjernstedt.
The Nordic Pavilion for the Venice Biennial was completed in 1962 and has since been a space for collaboration between three nations – Sweden, Finland and Norway. Built on a plot between the pavilions of the United States and Denmark, it is situated in the Biennale grounds at Giardini in Venice. For the last three biennials of 2011, 2013 and 2015, a format was developed which involved the solo commissioning by each country of a project. For the period 2017–2021 the agreement entailing that all three countries are represented on equal terms, will be resumed.

sabato 27 settembre 2014

Lina Selander per la Svezia

Il sito Kunstkritikk segnala la selezione di  Lina Selander per la Svezia 



Dal sito  Kunstkritikk 


Today, Moderna Museet officially announced that a solo exhibition by Lina Selander (b.1973) will constitute Sweden’s contribution to the Venice Biennale 2015. The exhibition will take place in the Arsenale, following an invitation from the Biennale curator Okwui Enwezor. The Nordic Pavilion is shared between Norway, Finland and Sweden, and this year it will be organised by Norway.

Congratulations on the exhibition! What are you going to show in Venice, and where will the exhibition take place?
– I will show a number of installations from 2014 and earlier, and a new film that is a collaboration with Oscar Mangione. The exhibition will take place in the Arsenale, in a 300-square meter room following directly after Enwezor’s exhibition. Thereafter, other national participants follow, Lina Selander tellsKunskritikk.
Selander’s film installations often draw upon historic events, and she uses both essayistic and archaeological approaches to uncover the way private as well as public images define memory or history. «Selander’s artistic practice is about finding traces, as much as about leaving traces», wrote Kunstkritikk’s criticMagnus Bremmer about her exhibition at Index in Stockholm 2011, whileMartin Grennberger described the piece Silphium (2014), shown at Kunsthall Trondheim earlier this year, as a film where the traces of nature and history are «aligned with the instruments for surveillance, control, regulation of and production of knowledge in the modern era».
Lina Selander. Photo: Cecilia Grönberg/OEI Editör.
Lina Selander. Photo: Cecilia Grönberg/OEI Editör.
You and Oscar Mangione recently collaborated on the film Silphium. Mangione is known mainly as a writer and editor of the magazineGeist. What is his role in the collaboration?
– I have been having an ongoing discussion with Oscar about my work since 1999. The last couple of years the conversations have become more and more practical in scope, extending into the actual work. We are very close and the films have ultimately become embodiments, projections or manifestations of our conversations on the problems and possibilities of the image. The film-work is, so to speak, a continuation of the conversation by other means.
Can you say something about the film you are making for Venice?
– Right now we are thinking and reading, and then the task of finding images, rhythms, and lines that continue what our thoughts have started is a delicate matter. I am not ready to discuss it yet. The films find their form in the editing process. But the new film will pick up the thread from recent work like Model of Continuation and Silphium, investigating the image as a both exterior and interior object.
Last year Hilma af Klint was included in the main show of the Venice Biennale, and last time Sweden organised the Nordic Pavilion, in 2011, the exhibiting artists were Fia Backström and Andreas Eriksson. Moderna Museet’s director Daniel Birnbaum, who was head curator of the Venice Biennale 2009, thinks that Selander’s work deserves a larger audience.
– We have discussed this decision together at Moderna, and we all agree that Lina Selander is one of the most exciting artists in Sweden today. She has exhibited internationally, but not participated in the really big events, Daniel Birnbaum says to Kunstkritikk.
Lina Selander and Oscar Mangione, {ITALIC}Silphium{ENDITALIC} (still), 2014.
Lina Selander and Oscar Mangione,Silphium (still), 2014.
How will Selander’s work do at the Venice Biennale?
– She can seem intellectually challenging, but I do not think we should underestimate the audience in Venice. It is big and mixed, but it is also sophisticated and used to complex artworks. I have been following Selander’s work for some years now and have been looking for an opportunity to exhibit her. We will do an exhibition here at the museum in Stockholm as well.
Selander’s exhibition at Moderna Museet opens in October 2015, and will partly overlap with the Venice Biennale, which runs from May 9 to November 22. Lena Essling, curator at Moderna, will organise both exhibitions.
– Lina Selander’s works operate on their own wavelength, I feel, and they have a strong visual presence and an inner density that captures you, regardless of whether you as a spectator immediately comprehend all layers and references, Lena Essling tells Kunstkritikk.
– Lina and I just came back from Venice where we examined the exhibition space, which is fantastic and has a great location in the Arsenale. At the moment we are thinking about the space, as well as the selection of works. A publication will be made for the exhibition, but it is not yet decided what form it will take.
Lina Selander, {ITALIC}Model of Continuation{ENDITALIC}, 2013.
Lina Selander, Model of Continuation(still), 2013.
Daniel Birnbaum also talks about the significance of the exhibition space, and emphasises the importance of establishing a dialogue with the adjacent international exhibition.
– When I was curator of the Biennale, I thought that it was the most beautiful room, Birnbaum says of the location inside the Arsenale.
– I know Okwui quite well and remember shows such as Archive Fever at ICP in New York 2008, which had a tone similar to Lina’s work. I hope and think that this will be good for her and the Biennale as a whole.
Selander has previously exhibited at Manifesta in Genk 2012 and at the Bucharest Biennale 2010. This weekend the first large-scale presentation of Selander’s work in Sweden will open at Kalmar Konstmuseum. The exhibition is called A Series of Images About You, and is curated by the director of Kunsthall Trondheim, Helena Holmberg. Later this year she will exhibit at INIVA – the Institute of International Visual Art in London.

martedì 2 settembre 1975

Paesi Nordici

Sul lato opposto, accanto alla Francia, c’è il moderno Padiglione dei Paesi Nordici (Finlandia, Norvegia e Svezia) Costruito nel 1962 dall’architetto norvegese Sverre Fehn. Attualmente è gestito a rotazione fra le tre nazioni,Svezia 2011. Finlandia 2013 e nel 2015 Norvegia.
Per certi periodi è stato organizzato in gruppo o con proposte nazionali.


2013 — Terike Haapoja (padiglione Paesi Nordici) e Antti Laitinen (padiglione Finlandiaia) (Curatorei: Collective Gruppo 111)
2011 — SVEZIA: Fia Backström, Andreas Eriksson (Curatore: Magnus af Petersens)
2009 — "The Collectors" (in collaboration with the Danish Pavilion): Elmgreen and Dragset, Klara Lidén (SE), Wolfgang Tillmans (DE) and others. (Curatores: Elmgreen & Dragset, DK/NO)
2007 — "Welfare — Fare Well": Adel Abidin (IQ/FI), Jacob Dahlgren (SE), Lars Ramberg (NO), Toril Goksøyr & Camilla Martens (NO), Sirous Namazi (SE), Maaria Wirkkala FI (Curatore: René Block, DE)
2005 — "Sharing Space Dividing Time": Miriam Bäckström and Carsten Höller (SE/DE), Matias Faldbakken (NO) (Curatore: Åsa Nacking, SE)
2003 — "Devil-May-Care": Karin Mamma Andersson (SE), Kristina Bræin (NO), Liisa Luonila (FI) (Curatores: Anne Karin Jortveit and Andrea Kroksnes, NO)
2001 — "The North is Protected": Leif Elggren (SE), Tommi Grönlund/Petteri Nisunen (FI), Carl Michael von Hausswolff (SE), Anders Tomren (NO) (Curatores: Grönlund/Nisunen, FI)
1999 — "End of a Story": Annika von Hausswolff (SE), Knut Åsdam (NO), Eija-Liisa Ahtila (SE). (Curatore: John Peter Nilsson, SE)
1997 — "Naturally Artificial": Henrik Håkansson (SE), Mark Dion (US), Marianna Uutininen (FI), Mariko Mori (JP), Sven Påhlsson (NO) (Curatore: Jon-Ove Steihaug, NO)
1995 — Eva Løfdahl (SE), Per Maning (NO), Nina Roos (FI) (Curatore: Timo Valjakka, FI)
1993 — Jussi Niva (FI), Truls Melin (SE), Bente Stokke (NO) (Curatore: Lars Nittve, SE)
1990 — "Cavén, Barclay, Håfström": Per Barclay (NO), Kari Cavén (FI), Jan Håfström (SE) (Curatore: Per Hovdenakk, NO)
1988 — Per Inge Bjørlo (NO), Rolf Hanson (SE), Jukka Mäkelä (FI) (Curatore: Maaretta Jaukkuri, FI)
1986 — "Techne": Bård Breivik (NO), Marianne Heske (NO), Olli Lyytikäinen (FI), Kjell Ohlin (SE), Erik H. Olson (SE), Silja Rantanen (FI), Carl Fredrik Reuterswärd (SE), Osmo Valtonen (FI) (Curatore: Mats B.)
1984 — FINLANDIA: ; NORVEGIA: Bendik Riis; SVEZIA:
1982 — FINLANDIA: ; NORVEGIA: Synnøve Anker Aurdal; SVEZIA:
1980 — FINLANDIA: ; NORVEGIA: Knut Rose; SVEZIA:
1978 — FINLANDIA: ; NORVEGIA: Frans Widerberg; SVEZIA:
1976 — FINLANDIA: ; NORVEGIA: Boge Berg, Steinar Christensen/Kristian Kvakland, Arvid Pettersen; SVEZIA: ARARAT (Alternative Research in Architecture, Resources, Art and Technology)
1972 — FINLANDIA: ; NORVEGIA: Arne Ekeland; SVEZIA:
1970 — FINLANDIA: ; NORVEGIA: Arnold Haukeland; SVEZIA:
1968 — FINLANDIA: ; NORVEGIA: Gunnar S. Gundersen; SVEZIA: Sivert Lindblom, Arne Jones
1966 — FINLANDIA: ; NORVEGIA: Jakob Weidemann; SVEZIA: Öyvind Fahlström
1964 — FINLANDIA: ; NORVEGIA: Hannah Ryggen; SVEZIA: Evert Lundquist

1962 — FINLANDIA: ; NORVEGIA: Rolf Nesch, Knut Rumohr; SVEZIA: Siri Derkert