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Visualizzazione post con etichetta Jesper Just. Mostra tutti i post
Visualizzazione post con etichetta Jesper Just. Mostra tutti i post

martedì 10 settembre 2013

Padiglione Danimarca - Intercourses - Jesper Just in collaboration with Project Projects








Intercourses - Jesper Just in collaboration with Project Projects

Commissari: The Danish Arts Council Committee for International Visual Arts: Jette Gejl Kristensen (chairman), Lise Harlev, Jesper Elg, Mads Gamdrup, Anna Krogh. Curatore: Lotte S. Lederballe Pedersen. Sede: Padiglione ai Giardini

giovedì 6 giugno 2013

La Biennale di Venezia, le cose più belle - Ecco una rapida carrellata sulle mostre più belle


Richard Mosse - Irlanda

Ora si è aperta la Biennale, dopo la settimana della vernice, sono passati alcuni giorni e le sensazioni che ho avuto si sono filtrate un poco, condivido così le esperienze che ho trovato più stimolanti. 

Inizio dal Padiglione dell’Irlanda con Richard Mosse, un’opera che ho apprezzato molto, per la sapiente miscela fra tema, elementi visivi, allestimento e qualità complessa dell’intervento, segue quello della Santa Sede per le stesse motivazioni. Una nota positiva per quello dell’Islanda posto presso Palazzo Zenobio, per l’uso dei materiali e per la dinamica fra la forma e lo spazio. 
Kimsooja - Corea

Altre segnalazioni per quelli della Corea, semplice, Danimarca, emozionante, Belgio, intenso, Cile, suggestivo, in cui la presenza delle opere è stata ben progettata, trovandovi un positivo rapporto fra senso del tema affrontato e lavoro realizzato. 

Il progetto di Gioni è stuzzicante ma in generale la qualità delle opere è troppo “compulsiva” per essere ricordata, non c’è un lavoro degno di memoria, anche se certi stimoli sono molto piacevoli. Soprattutto ai giardini l’eccesso di materiale alla fine penalizza la fruizione, già molto ricca. L’allestimento è molto ben curato anche se certi lavori potevano essere proposti in un modo meno algido. 

Berlinde De Bruyckere - Belgio

L’Arsenale scorre sempre in modo rapido in un susseguirsi di alterni momenti in cui però sfugge l’assorbimento. Ma questo penso sia più una dinamica degli spazi, suggestivi ma poco adatti per progetti espositivi così articolati, anche se con l’allestimento si è cercato di diminuire questa difficoltà.
 
Jesper Just - Danimarca 

Il Padiglione Italia è finalmente dignitoso, i lavori che mi hanno colpito di più quello di M.Maloberti e della R.Benassi. Forse gli artisti selezionati sono troppi, soprattutto se gli interventi sono molto grandi, come quello di F.Favelli e F.Arena che risultano penalizzato dalla collocazione. 

Studio Azzurro - Santa Sede

Delusioni soprattutto dal Padiglione della Francia (cioè Germania) vasto inutile e poco significativo, Paesi Scandinavi e Israele, cupi e confusi.

Sorpreso da quello del Kuwait ed Emirati Arabi. 

Nota, come sempre per le inutili code che si creano, il giorno dopo la vernice. Sabato, c’era molta meno gente e si poteva girare con molta più tranquillità. Visto che si invitano migliaia di persone nei giorni di opening sarebbe utile ampliare i tempi d’ ingresso offrendo così una fruizione più positiva sia agli operatori che al folto pubblico di collezionisti. 

Lasciamo ora la parte ufficiale per gli eventi collaterali. 

Alfred Jaar - Cile

../.. continua 




articolo da equilibriarte.net

lunedì 6 maggio 2013

Danish Pavilion - Intercourses of Jesper Just


Dalla Danimarca ecco i dettagli del progetto di Jesper Just.

About the project

Video installation and architecture form a synthesis in Danish artist Jesper Just’s work for the Danish Pavilion. The work has been conceived specifically for this occasion and integrates filmic space and the architecture of the pavilion.
At the core of the work are five films evolving around three men in a place seemingly familiar, yet eerie. Notions of home and belonging are questioned and destabilised and so is the very ‘essence’ of (cultural) identity. With this work Just continues and expands his ongoing examination of stereotypical representations of gender and race, architectural pastiche, cultural appropriation, and dislocation.
The work is further expanded into the communicative field by design studio Project Projects.
The project is funded by the Danish Arts Council. The project has received additional support from Nørgaard på Strøget, Copenhagen. Jesper Just’s film project is co-produced by Galleri Nicolai Wallner, Copenhagen.

About Project Projects

Project Projects is a design studio focusing on print, exhibition, identity, and interactive work with clients in art and architecture, in addition to independent curatorial and publishing projects. Founded in 2004 in New York, the studio is led by principals Prem Krishnamurthy, Adam Michaels, and Rob Giampietro.
Project Projects is a two-time Finalist in the Cooper-Hewitt National Design Awards and has received numerous distinctions, including grants from the Graham Foundation and NYSCA for its independent projects.
More information at: www.projectprojects.com

Jesper Just

Jesper Just creates film and video installations about the subtle emotions between people. He punctures stereotypical representations about gender, sexuality, race, and power and hereby Just creates space for a far more complex and sensitive understanding of our surroundings. Also central to Just’s work is his break with conventional mainstream film productions and his playful interference with the spectators cinematic and narrative expectations.
Jesper Just was born in Copenhagen, Denmark, in 1974, and attended The Royal Danish Academy of Fine Art. He currently lives and works in New York.
Exhibitions include Sharjah Biennial 11, Sharjah, UAE (2013); This Nameless Spectacle, BALTIC Centre for Contemporary Art, Gateshead, UK (2011); Romantic Delusions, Brooklyn Museum of Art, Brooklyn, NY, USA (2008); Liverpool Biennial, Liverpool, UK (2008); Jesper Just, Jesper Just, Witte de With Center for Contemporary Art, Rotterdam, NL (2007); Black Box: Jesper Just, Hirshhorn Museum and Sculpture Garden, Washington, USA (2006); Something to Love, Moderna Museet, Stockholm, S (2006); Busan Biennale, Busan, KR (2006); True Love is Yet to Come, Performa 05, Weiss Studio, New York, USA (2005). Just’s work is featured in many public collections, including Guggenheim Museum (New York), MoMA (New York), Tate Modern (London), and many others.
Jesper Just is represented by James Cohan Gallery, New York; Galleri Nicolai Wallner, Copenhagen; and Galerie Perrotin, Paris.
The Danish Arts Council
The Danish Arts Council Committee for International Visual Arts has responsibility for Denmark’s participation in La Biennale di Venezia. Denmark has taken part in the exhibitions of La Biennale di Venezia since 1895 and its participation is financed with funds from the Danish Arts Council. The Danish Arts Council Committee for International Visual Arts consists of Jette Gejl Kristensen (chairman), Lise Harlev, Jesper Elg, Mads Gamdrup, and Anna Krogh.
More information at: www.danisharts.dk

martedì 26 febbraio 2013

Film multicanali per il Padiglione Danese con Jesper Just



Anche qui come per il Padiglione Turco, ci sarà un progetto a più canali il lavoro che Jesper Just presenterà alla prossima Biennale di Arti Visive di Venezia, eccovi il comunicato stampa appena diffuso:
The Danish Arts Council presents Jesper Just’s multi-channel filmic odyssey and architectural intervention for the Danish Pavilion at the 55th International Art Exhibition of la Biennale di Venezia, June  1–November 24, 2013. Collaborating with Project Projects (New York), a graphic design studio, the project will integrate film, digital communications, and the Danish Pavilion’s physical space.
Renowned Danish artist Jesper Just will present a film project that will examine themes of architectural pastiche and cultural dislocation for the Danish Pavilion. Commissioned by the Danish Arts Council, Just’s contribution will consist of five films played simultaneously in a looped format as part of one singular, cyclical narrative. The films weave together a depiction of what appears to be Paris due to certain architectural signifiers, but then assumptions are challenged as the landscape becomes uncanny.
Key to all of Jesper Just’s films is the question of representation. How do we create images? And how do these images, in turn, conjure ideas, expectations, and conventions?
In addition to the films, Just will create an architectural intervention on the Pavilion, integrated with the film installation, based on the paradoxical mismatch of the Danish Pavilion’s 1930s neoclassical architecture and its 1960s modernist addition.
An accompanying communications system developed by design studio Project Projects will allow people to experience the pavilion outside of Venice and create a mirrored experience in parallel with Just’s project.
The project is funded by the Danish Arts Council. The project has received additional support from Nørgaard på Strøget, Copenhagen. Jesper Just’s film project is co-produced by Galleri Nicolai Wallner, Copenhagen.
About Jesper Just
Jesper Just was born in Copenhagen in 1974, and he attended the Royal Danish Academy of Fine Art. He currently lives and works in New York.

Recent solo exhibitions include Jesper Just: This Nameless Spectacle (2012), University of Michigan Museum of Art (Ann Arbor, Michigan); Galleri Nicolai Wallner (Copenhagen); and James Cohan Gallery (New York); and Jesper Just: Sirens of Chrome (2011), MobileArtProduction (Stockholm). Recent group exhibitions include No Object is an Island: New Dialogues with the Cranbrook Collection (2011)Cranbrook Art Museum (Bloomfield Hills, Michigan); Time and Place (2011), Inaugural Exhibition, Kunsthalle Detroit (Detroit, Michigan); and Intermission (2011), James Cohan Gallery (New York).
Just’s work is featured in many public collections, including Arario Gallery (Korea), the Solomon R. Guggenheim Museum (New York), the Museum of Modern Art (New York), Musée d’Art Moderne (Luxembourg), Tate Modern (London), and many others. He is also the proud recipient of the Arken Prize Travel Grant (2009), and the Carnegie Art Award (2008) (2nd prize).
Jesper Just is represented by James Cohan Gallery, New York; Galleri Nicolai Wallner, Copenhagen; and Galerie Perrotin, Paris. 


About The Danish Arts Council and la Biennale di Venezia
The Danish Arts Council Committee for International Visual Arts has responsibility for Denmark’s participation in la Biennale di Venezia. Denmark has taken part in the exhibitions of la Biennale di Veneziasince 1895, and its participation is financed with funds from the Danish Arts Council. The Danish Arts Council Committee for International Visual Arts consists of Jette Gejl Kristensen (chairman), Lise Harlev, Jesper Elg, Mads Gamdrup, Lise Harlev, and Anna Krogh.

About Project Projects
Project Projects is a design studio focusing on print, exhibition, identity, and interactive work with clients in art and architecture, in addition to independent curatorial and publishing projects. Founded in 2004 in New York, the studio is led by principals Prem Krishnamurthy, Adam Michaels, and Rob Giampietro.

Project Projects is a two-time Finalist in the Cooper-Hewitt National Design Awards and has received numerous distinctions, including grants from the Graham Foundation and NYSCA for its independent projects.
More information at www.projectprojects.com
Information about the project:
Lotte S. Lederballe Pedersen, The Danish Agency for Culture, +45 33 74 45 37, lsl@kulturstyrelsen.dk
Jesper Just's filmic odyssey for the Danish Pavilion at the 55th Venice Biennale

domenica 3 giugno 2012

Danimarca presenta Jesper Just




La Danimarca porterà a Venezia Jesper Just, diplomato alla Royal Danish Academy of Fine Arts nel 2003

Ha già esposto da Perry Rubenstein Gallery a New York. Suoi lavori sono nelle collezioni del Museum of Modern Art, Carnegie Museum of Art,  Tate e al Israel Museum.