30.05.2013
9h00 - 11h00
Palazzo
Malipiero, 1st floor
San Marco 3079
Opening Reception
& Breakfast Forum "Perspectives beyond Stagnation"
During the
preview of the 55th International Art Exhibition – la Biennale di Venezia (29 -
30 May 2013), the Central Asian Pavilion will host the opening reception and
breakfast forum in collaboration with the curators of LIAF 2013 (Lofoten
International Art Festival), Anne Szefer Karlsen, Bassam El
Baroni and Eva González-Sancho. Speakers include historian of social
and political thoughtGopal Balakrishnan (History of Consciousness
Department, UCSC) with a talk on “Further Convolutions of Capitalism” and
philosopher and writer Aaron Schuster, who will address issues of transgression
and constraint. This will be followed by an open discussion and tour of the
exhibition with the curators, Tiago Bom andAyat Tuleubek and
represented artists of WINTER,Kamilla Kurmanbekova & Erlan
Tuyakov, Anton Rodin & Sergey Chutkov, Aza
Shade and Saodat Ismailova.
19h00
Central Asian
Pavilion
Palazzo
Malipiero, 1st floor
San Marco 3079
Screening of
"Mocracy - Neverland in Me" by Christian von Borries
During the
preview of the 55th International Art Exhibition – la Biennale di Venezia (29 -
30 May 2013), the self-censored version for Kazakhstan of the film
"Mocracy - Neverland in Me" (2012) will be screened as a European
premiere and followed by a discussion with the director Christian von Borries.
Synopsis:
Since the 1980s,
this world has been characterized by four developments: the growth of political
democracy, the growth of Online Democracy, the growth of corporate power, and
the growth of corporate propaganda as a means of protecting corporate power
against democracy. Mocracy examines consumerism, capitalism, oppression, misery
rule and the help industry. People become a mass ornament, architecture a
tuning tool for societies, self optimizing in file. Charity is the other side
of democracy, while democracy appeares as a lifestyle option for the rich.
Michael Jackson
is the soundtrack of the neoliberal 80s, a choreography of democracy. The film
itself is imitating democracy in a nutshell, representing a failing polyphonie.
In this sense, Mocracy is a musical journey through Kasachstan, Kosovo,
Pyonyong, Detroit, Moscow and Berlin, a neverland, the utopia of a non-place.
Thus, the film clip serves as a disappropriation of the individual torso.
web site http://www.cap2013.net
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